My Musings [and Muses]

Marrakech: and a tale of cutting back {or maybe a tale of roses}

I had planted them from the smallest of roots. That was all I could afford then, and I needed so many. Hundreds. Each year they had grown, their branches sturdier, their thorns fiercer. And the blooms…well, it was all about the blooms. {Isn’t it always with roses?} This year an Egyptian friend had urged, Cut them early, two months early. And cut them back, way back. Cut them until there’s almost nothing left. Then they’ll fight like warriors to grow. Gardener Abdullah at Peacock Pavilions had looked at me askance, a small leaf caught in his beard. It’s too early for that, he said, his straw hat fraying on one side. Oh, let’s try it, I said.  And so we did.

And when the slaughter was over, it looked like a wasteland -- a wasteland of rose nothingness. The jagged stems, the rose remains, poked from the ground in painful stubby clusters. And I thought to myself then, What have I done?  {Dismayed, so dismayed at the ugliness.}  Gardener Abdullah said nothing. He just squinted into the sunlight, his clippers hanging loosely from one hand.

But then. Then. Then of course they grew. Slowly, yes, slowly. Until they bloomed and bloomed and bloomed like a snowy sea of petals that stretched out before me.

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PS There’s a lesson to be learned here. There’s something to this cutting back. That’s why I have been quiet on this blog the last two weeks. My time here swapped for an attempt at something else. The roots of that something else have not grown much and perhaps they never will. But then again…..perhaps, perhaps...... they will.

1-IMG_4588-001Images by Michelle Gin

 

Marrakech: and a tale of seeing is believing

She sat next to me in the airport in Washington.  Our conversation went something like this:

Her: So going to New York?

Me:  Yes, in transit.  I'm actually going to Marrakech.  You know, in Morocco.

Her:  Morocco?  Marrakech?  Wow!  That's amazing.  I mean, I think it's amazing.  I mean, I don't know for sure.  I've never been or anything.  What's it like?  

And I tried to tell her then.  I tried to tell her about the people.  About the way that they looked and dressed and spoke, and the way they patted their heart when they said hello.  I tried to tell her about the medina and the souks, and the shops filled to overflowing.  I tried to tell her about the architecture and the fortresses and the tiles that went on forever.  And I tried to tell her about the grittiness and the craziness and the sometimes sadness.  

But you know....I am not sure that I could really tell her.  Because the words ...they're not enough.   They could never be enough.  Because you have to see it.  You have to experience it.  You have to feel it.  And only then -- yes, only then....

can you know.  

But I will get closer to explaining it to you, if you watch this.

Watchtower of Morocco from Leonardo Dalessandri on Vimeo.

Many thanks to Leonardo for sending this to me.  {His mother's hopes with that name of his were just about on track.}

PS Want more? Subscribe to My Marrakesh here and receive it in your inbox.

Afghanistan and the quest for beauty: a tale of pottery, or sort of

I was thinking what it would be like to have someone -- a stranger -- walk into your pottery studio in Afghanistan, when you were just about to leave.

Afghan pottery
And to have this person, a woman, a foreigner, admire your work. The lines, the forms, the grace.

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And to then -- even though you are late -- decide to reach for your clay.  

And change it.

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And at your potter's wheel...  

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quickly, so quickly....

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have the clay grow

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until it is something else.

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Transformed

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under your fingertips.

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I wonder if you knew your power.  Your gift. 

Afghan pottery 10Did you?

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Because despite the chaos outside.  Outside those doors.  Outside in those Kabul streets.  Outside in those big buildings where people made decisions, or tried to, or pretended to, that affected other people.  Hundreds of people, thousands of people, millions of people.

Despite all that, I wonder if you knew that your clean slice....

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would be remembered.  

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Beauty and kindness and generousity have always been  -- and will always be -- a form of salvation.

PS Sculptor Caroline Douglas and her master students are at Peacock Pavilions. Making, sharing, giving.  This blog post is for her, and for them.

PPS Subscribe to My Marrakesh here.