I have never hidden my love for color and pattern. I feel my most energized and happy when it surrounds me. If shopping in my own store, these are the pieces I would buy...
Marrakech and Peacock Pavilions: a tale of Moroccan interior design for Thanksgiving
Ah Thanksgiving. Perhaps the very best of the American holidays. No television pitches, no Hallmark greeting cards, no gifts. Just family, friends, and good food. And being thankful of course (Why can't we do this more often?)
We always celebrate Thanksgiving, even though we live in Morocco. This year, we had a group of 20 friends, guests, and friends of friends together in the Peacock Pavilions dining tent.
When we sat down at the table we all said in turn what we were thankful for. Thanks ranged widely -- from being alive, to our parents, to friends who felt like family, to blessings for the countries where we were born, to living in a place of peace, to our very first full year open at Peacock Pavilions (ahem yes, that last one was mine). There were a few tears of the good variety.
As befitting such a nice occasion to be thankful, I tried to make it all look a little special.
There was simple food. And somehow it was beautiful all on its own.
And I brought out all my pottery platters from Tamgroute Morocco. Such a lovely green.
There were olive branches on the table and porcelain pods that Caroline Douglas made for Peacock Pavilions.
We stenciled placemats on kraft paper, using stencils from Royal Design Studio. This is a trick we learned from former lovely intern Sarah Winward. I had our dinner napkins at Peacock Pavilions embroidered with peacock feathers.
The children's table had unbreakable copper goblets that I bought in India and glimmery chargers that I commissioned for Peacock Pavilions. Salt and peper was loaded up in porcelain leaves that Caroline Douglas made for me.
Our olive trees were heavy with olives which made me think that even the pilgrims would have been pleased. I hung them from our raffia lanterns so it would feel like we were dining under an olive canopy.
And it all looked something like this.
Happy Thanksgiving whether you are in America or anywhere else. In a world filled with uncertainty, we -- you and me -- are the lucky ones.
Peacock Pavilions: and learning from Elle Decor's Anita Sarsidi
It was so interesting to watch Elle Decor Design Director (and Stylist Extraordinaire) Anita Sarsidi in action at Peacock Pavilions last week. After so many years at Elle Decor, it's no surprise that she can see each picture in her head and knows exactly what she wants. I was impressed on many levels. Here are some things I noted:
* No props. Anita doesn't show up at homes with boxes and bags of props. She believes that if a home needs extra props, that means it's not done. In fact, she came to Peacock Pavilions with nothing at all. {I have to say, I always wondered about the notion of propping someone's house for a feature. It sort of seems like cheating -- pretending that those things are the homeowners when they really aren't at all.}
*Layers that tell a story. I was worried that I had too much stuff at Peacock Pavilions. All those years of collecting curiousities on my travels, from Benin to Afghanistan, and so forth. Perhaps it was too jumbled. Perhaps there was too much. I needn't have worried. In fact Anita said the problem is often that there isn't enough, that it's "too clean" -- that it looks like a decorator swept in and took half the stuff away. A house that is too controlled is, well, too controlled.
*Not too perfect, not too symetrical, not too ordered. Anita often pulled a chair slightly askew, or reordered objects so that they weren't, well, in order. People don't live with everything perfectly in place, she said. And of course, she's right. When something in a group is a little askew, somehow you suddenly really see it and your eyes don't glaze over.
*A home that looks like you and no one else: Anita puruses hundreds of submissions to Elle Decor. What she said that she looks for are homes that are personal, have a point of view, and an individual sense of style. She doesn't want homes that look too influenced by stacks of tear sheets or files of saved images. Rather, she seeks places that have unique personalities. A house should look like its homeowner {ie with a fingerprint that is unlike any other in the universe}.
*"Fancy" isn't necessarily the name of the game: Very few people have an unlimited budget to spend on furnishings or the cash to hire an interior designer. But style -- not dollars -- is the point. Anita's ears perked up at the sound of a beautiful fishing shack or a gorgeous Malian hut. {Modest can be just as memorable and poetic.}
Many thanks to Anita and her great support team (including Julia Duquette)!
Marrakech and my bedroom at Peacock Pavilions: a tale of global style
I like things. I like things a lot. My husband thinks I like things too much.
Now, of course, I like pretty things. But more than that, I like far away things and things not bought on a shelf next to 20 or 30 things just like them.
Oh, you know what I mean.
Here are some of the things in my bedroom in Peacock Pavilions in Marrakech right now, including some recent purchases from Egypt.
Studded horn bowl, inlaid box with Arabic script from Egypt, vintage portfolio of Moroccan carpet plates, favorite books, ikat, vintage Chinese hand embroidery (a gift from my best friend who is Chinese-American).
Tin box with vintage Egyptian picture, vintage ivory globe (if anyone knows about this piece, please let me know - I purchased it in the Marrakech souk and it is quite possibly French), photography book on the occult in Spain.
Vintage carpet bought in Pakistan on assignment, floor stenciled with Skylar's lace, black wicker chair, cushion screen printed with an Egyptian image.
Vintage roll of wide paper tape from Tibet covered with print, Islamic prayer stone procured in Afghanistan on asignment, part of a wire bust from South Africa.
Vintage Japanese red laquer bowl, leather entomology notebook from Natural History (I bought all 4 -- really lovely.)
Dip dyed and beaded maxi dress from French brand, Sinequanone, hanging from a blue door. (Intriguing magical fact: Blue fights the evil eye. )
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In other news, Peacock Pavilions is now on Twitter! (Feeling oh so professional.) Check it out here.
(Meanwhile I'm on Twitter right here if you'd like to meet up with me in the twittersphere!)
Also, Peacock Pavilions is now on Facebook! (Eeek, excited!) Would love/love/love it if you would fan us here.
Photographer Leslie Shewring of that gorgeous blog, A Creative Mint (and an associate of Holly's) did a most beauteous post on Peacock Pavilions. Dreamy.